
I've gotta say, it would make a great addition to a holiday party ensemble.


METRO's Mary O'Regan does a studio visit with local designer Joy Teiken. Click here for more photos on Art of Wore.
Photographer Vincent Marcinelli previews a piece from next weekend's MCAD Art Sale.
Peter Holme snaps a model paused along a well-trodden path.
Grand Forks-based photographer Emma Katka shoots local model Kouwai Potocnik.
Maxamillion Gremillion takes in a sunbeam.
Style and arts writer Joan Erakit mixes ladylike sophistication with a dash of cunning in a series of photos styled by Secrets Fashion Agency. (Photo: Sam Nong and Dan Worku)
The Minneapoline's Ellen Dahl Lawson spots fall's minimalism trend paired with maximalism on the street.
Brandon Werth shoots Becca Cooke for a test shoot over the weekend.
Alexander Erickson of Ignite Models gets wet for Fucking Young Magazine. Click here for more photos. (Photographer: Michael McCloud. Makeup: Crystal Watkins)
Urban Tease personal style blogger Chloe Ahlf gets cuddly with her pug.
Local artist Jaime Carrera snaps a shot of designer Max Lohrbach's hand-painted pillowcase for Friday's Movember art show and benefit.
Musician Rachel Palmer shows off her fall layers.
Peter Holme snaps the guest of honor giving thumbs up to Christopher Straub's models at Sunday's runway show.
Straub's 21-look line was, by all accounts, Straub's most sophisticated and focused collection to date, full of colorful prints - the designer's own designs - structured designs, and fluid silhouettes, showing the designer moving into a slightly edgier direction. Though making a few cameo appearances in his handbags, his signature "petals" were otherwise absent, replaced by a trio of spikey, black patent leather looks that seemed at odds with the rest of the otherwise cohesive collection. Straub's digital prints - though clearly influenced by Alexander McQueen's "Plato's Atlantis" from Spring 2010 - added a welcome shot of color and texture into the proceedings, most successfully in a black-and-white print tailored jacket and a floor-length gown. His draped, one-shoulder swirl-print dress offered an understated chicness, as did a flippy little dress with flounced sleeves. For the most part, he worked well with a stiff, white snakeskin print fabric, particularly in a safari-like jacket, ruffle-front top and the evening's wow moment, a full-length gown. The designer also made a small but welcome foray in knits.


















